FЦR MINA BARN – FOR MY CHILDREN (text:Svenska-Engelska)
Denna dokumentдr fцljer Jerzys Donus som еr 2009 blev utmanцvrerad som
pappa fцr de fyra barnen han дlskar och bryr sig om. Oron och stressen i kampen
fцr barnen gav honom diagnosen obotlig cancer. Vеren 2014 bestдmmer Jerzy att
innan han dцr vill han skapa ett meddelande till sina barn. Hans grekiska
vдn Stathis Plotas filmar, andra vдnner skapar musiken.
Han upptдcker en i Sverige tabubelagd problematik kring lagliga
kidnappningar, mer kдnda under namnet LVU, en fцrkortning fцr Lagen om Vеrd
av Unga. Det дr en lag som ger socialtjдnsten makt att tvеngsomhдnderta barn
mot barnens och fцrдldrarnas vilja – еr 2014 35 000 barn, till en kostnad om cirka
100 miljarder kronor.
Socialtjдnsten i Sverige har jдmfцrts med Nazitysklands SS och
Sovjetunionens Gulag. Finns fog fцr sеna kopplingar? I sina fцrsцk att kunna fцrstе
varfцr socialtjдnsten tog hans barn upptдcker Jerzy att han inte дr ensam om den
hemska erfarenheten, och att det mitt i det demokratiska vackra Sverige finns en
vдrld full av lцgner, maktmissbruk och korruption.
Borde Jerzy vara tacksam fцr att hans barn fortfarande lever?

FOR MY CHILDREN
This documentary follows Jerzy Donus who in 2009 was manipulated out of his
childrenґs life as father for the children he loves and cares for. The worries and
stress in the struggle for the children, gave him a diagnosis of deadly cancer. In
spring 2014 Jerzy decides that before dying he wants to create a message to his
children. A greek friend Stathis Plotas shoots the film, other friends create the music.
The film is about something that is taboo to speak about in Sweden,
legal kidnapping of children, known under the name of LVU, which is the short
name of a law regulating compulsory care of young – in 2014 35 000 children at
the cost of about 100 billion crowns.
The social services in Sweden has been compared with SS in
Nazigermany and Gulag in Sovietunion. Is there a foundation for such
connections? In his efforts to understand why the Swedish social services took his
children Jerzy discovers that he is not alone with this horror experience, and that
in the middle of the democratic beautiful Sweden there is a world full of lies,
authority abuse and corruption.
Ought Jerzy to be thankful that his children are still alive?